“Old Filth” by Jane Gardam (2004) – 290 pages
In this novel FILTH is an acronym for ‘Failed In London Try Hong Kong’. “Old Filth” is the nickname for Sir Edward Feathers who was born in Malaya and later spent most of his work career as a respected lawyer and judge in Hong Kong. One might say that “Old Filth” by Jane Gardam is the last British colonial novel. This deliberately old-fashioned novel is still quite popular seven years after its publication.
The novel is Sir Edward’s life story starting with his birth to a mother who dies three days later all the way up to the time he becomes a widower in his eighties living in London. After serving in Hong Kong, Sir Edward and his wife moved back to London only to find his bitter enemy Veneering moving in next door. It turns out that Veneering has been the lover of Sir Edward’s wife and has given her an expensive set of pearls. One of the blurbs on the back cover from The Times says “Jane Gardam’s beautiful, vivid, defiantly funny novel”. There are parts of the story that are beautiful and vivid, but somehow I mostly failed to catch the humor in this novel. I expect it is my fault, especially because for me Graham Greene’s colonial novels are laugh riots while others see no humor at all in them. I’m just not that tuned into colonial British upper class life as it is portrayed in “Old Filth” where most of the characters have a stiff upper lip. I suppose if I were British I could better appreciate the humor in this novel.
One feature of this novel that I do appreciate is that it does not attempt to tell the whole story of Sir Edward Feathers; instead it darts backward and forward presenting scenes the author considers important for the story. Thus all the years in Hong Kong are hardly mentioned at all while his years as a child and young man are examined closely.
Along the way we meet many quirky characters, not least of all Sir Edward Feathers himself. Nearly everyone in the novel is odd and either hateful or endearing.
OK, this is the novel that all of the reviews without exception praised lavishly, and it is generally regarded as Jane Gardam’s masterpiece, yet my reaction toward the book was only lukewarm. I just can’t wax passionate about this book one way or the other. This was bound to happen sooner or later. Not every book is for every person, and this one apparently wasn’t for me. Maybe I approached the book with the wrong attitude or read it under the wrong circumstances. You should not take my words about this novel as a final verdict, because the rest of the world apparently loves the book.