‘Honeydew’ by Edith Pearlman – “All Cats are Gray at Night”

‘Honeydew’ by Edith Pearlman,  stories    (2015) –   275 pages   Grade: A


In Edith Pearlman’s story ‘Hat Trick’ four single girls all aged nineteen sit on the porch talking about their ideal future mates.  After listening in for awhile, the mother of one of the girls interrupts.

 “Oh, my darling fools.  You dream about musical fellows, brainy guys, masterful ones, sophisticates.  Let me tell you something: all cats are gray at night.” 

 She has the girls write down the names of twelve decent fellows in town on little pieces of paper.  She puts the pieces of paper in a hat, and each girl draws one name.  That will be the guy each girl will marry, and the mother assures them they will be happy enough, because their marriage will be arranged by the best matchmaker of all, chance.

‘Hat Trick’ is one of the stories in ‘Honeydew’.  There are twenty stories in here, each as dense and warm and poignant as the next.  ‘Honeydew’ is not an easy read, but the density of these stories makes them rich and strange.  One of the qualities that give these stories a special aura is the unusual perspective that Pearlman brings to each.  One bit of advice to writers from Emily Dickinson was ‘Tell all the truth but tell it slant.”  Edith Pearlman tells it slant.

These stories have great variety and some unusual locales.  Some are quite peculiar.  “Tenderfoot” is the finest story about a pedicure and exfoliation I’ve ever read.  A quirky weirdness permeates most of these stories, all for the better.

Pearlman brings an Old World charm to the stories that saves them from ever being run-of-the-mill.

The story ‘Puck’ is my personal favorite and perhaps Pearlman’s most typical story.  Rennie is the proprietor of the Forget Me Not antique store.  She is known for her discretion and restraint; her cardinal rule number one is to never ‘tell any customer anything whatsoever about any other customer’.  Thus her customers naturally confide in her.  I expect this is just the type of person Edith Pearlman herself is.

Ophelia arrives with this large statue, Puck, that she wants to sell to the store.  She mentions that Puck ‘watched over my love and me’.  Rennie realizes that this ‘love’ was not Ophelia’s husband who had died recently.  I won’t reveal any more details of the story, only that it has an appropriate conclusion.

Every story in ‘Honeydew’ is a winner as far as I’m concerned.  In  ‘The Golden Swan’, only Edith Pearlman could write a completely involving story about two single college age girls on a Caribbean Sea cruise that contains not even one shipboard romance.

In ‘Honeydew’ we have a collection of stories that is at least as good as the quotes on the back cover say it is.

‘Citizen: An American Lyric’ by Claudia Rankine – Getting Angry

‘Citizen: An American Lyric’ by Claudia Rankine, prose poem (2014) – 159 pages    Grade: B


‘Citizen’ is a fierce meditation on being black in a predominantly white society like the United States.

“I feel more colored when thrown against a sharp white background.” – Zora Neale Hurston  

This prose poem is abrasive and disturbing for a white person to read.  It begins by showing examples of everyday unthinking racism perpetrated by even those enlightened white people who know better.  Good friends can cause deep hurt when it comes to race by saying the wrong thing.  There is even a medical term, “John Henryism – for people exposed to stresses stemming from racism”.

I wanted to say that some of us whites are trying to do better   Our attitudes are embedded in us from early childhood, and those cannot be easily or entirely corrected or eliminated.

And then we get women’s tennis star Serena Williams. Rankine gives us several scenes from Serena’s career.

“They (Venus and Serena Williams) win sometimes, they lose sometimes, they’ve been injured, they’ve been happy, they’ve been sad, ignored, booed mightily, they’ve been cheered, and through it all and evident to all were those people who are enraged they are there at all – graphite against a sharp white background.”

 We get re-enacted two of Serena’s most famous matches which had disputed calls.  At the 2004 US Open, Serena is defeated by Jennifer Capriati due to a series of bad line calls by the chair umpire.  Serena keeps her temper in check despite the bad calls.  Rankine is on somewhat precarious ground when equating bad line calls with racism, but in this case the chair umpire making the bad calls was excused from officiating any more matches.

In the 2009 US Women’s Open Serena is called for a foot fault at a critical moment in a match against Kim Clijsters, and she explodes.  Serena loses the match and is fined $82,500 and put on a two-year probationary period by the tennis officials for unsportsmanlike conduct.

images (6) However in 2012 Serena wins the only two gold medals that the United States would win in tennis at the Olympics and later would go on to win every match she played between the US Open and the year-end championship tournament.  Serena then is named the Women’s Tennis Association Player of the Year for 2012.

Next we get the scenarios for a number of ugly racist incidents that have occurred in recent years: James Craig Anderson (a forty-nine year old black man run over intentionally in Jackson, Mississippi by a bunch of white teenagers driving a pickup truck), Trayvon Martin, Mark Duggan in London.   The detailing of these incidents reminded me of a book I read nearly fifty years ago called ‘Rivers of Blood, Years of Darkness’ by Robert E. Conot which chronicled the deaths of all 34 people killed during the Watts riots in Los Angeles in 1965.  That book had a profound effect on my attitudes toward race over the years.

In ‘Citizen’ Rankine seems particularly pessimistic and angry about the racist attitudes of whites and their likelihood of being changed.

But when I watch the Jimmy Fallon Tonight Show, I begin to think there is hope for blacks and whites together yet.


‘Funny Girl’ by Nick Hornby – “There are worse things to aim at than making people happy.”

‘Funny Girl’ by Nick Hornby   (2015) – 452 pages   Grade: B+


In ‘Funny Girl’ our heroine, Barbara Parker aka Sophie Straw, is a teenager in Blackpool in northern England who idolizes Lucille Ball whom our girl watches on TV in ‘I Love Lucy’ episodes.  It’s the Sixties, and she wants to become a female comedienne just like Lucy.  Our girl is very beautiful like early Lucy, and she wins a Blackpool beauty contest which doesn’t suit her at all.  She goes off to London in the hopes of someday doing comedy but meanwhile working at a cosmetics counter.

Things happen quickly, and soon she lands the lead role on a BBC situation comedy called ‘Barbara (and Jim)’.  We meet the diverse group of professionals who put on the show, and soon the show is a huge success.  Later much of the story concerns Barbara/Sophie finding a suitable mate.

The novel itself is a lot like a workplace situation comedy more like ‘The Mary Tyler Moore Show’ than ‘I Love Lucy’. The plot centers around the small group of characters who put on the show including the stars, the director/producer, and the two writers.

‘Funny Girl’ is clever and cute, perhaps a little too clever and a little too cute with few rough edges. Barbara at the center of it faces no difficulties becoming a comedy star, and she is one automatically with the first episode of her first show.  It probably would have been more realistic if she had to struggle a bit to attain stardom.  Even Lucy had her struggles in Hollywood before she became a TV star.

But the focus of the novel is on the motley crew who make the show.  The show’s leading man Clive makes love to many women but adores only himself.  The two writers Tony and Bill had previously got arrested together for a homosexual encounter (The novel begins in 1964), but later Tony gets married to a woman while Bill becomes an outspoken advocate of gay rights with a promiscuous lifestyle.  Much of the humor of the novel comes from the talk between Tony and Bill who must come up with standard TV fare for each episode.  Then there is the producer/director Dennis who is the steady glue that holds the team together.

Like any good sit-com. ‘Funny Girl’ has its strong emotionally touching moments scattered amongst the humorous scenes.

I could see ‘Funny Girl’ doing well as a romantic comedy of a movie.  Nick Hornby has a sure hand for clever dialogue and humorous situations.  However I expect even a light novel to go deeper into its characters than ‘Funny Girl’ does.  Things stay relentlessly on the surface here.  We readers glide along on the humor and cuteness of the scenes and characters, but I doubt any of us will give the novel another thought after ending it.

However I do think light humor alone is a worthy goal, and ‘Funny Girl’ was fun while it lasted.


The Tempest by William Shakespeare

The Tempest’ by William Shakespeare   (1610)  – 124 pages  Grade: A


Shakespeare wrote both tragedies and comedies.  If no one dies a violent death in a Shakespeare play, the play is considered a comedy.  In the tragedies the dead bodies pile up on the castle floors (see Hamlet, Macbeth, etc.)

No one is killed in ‘The Tempest’, so it is considered a comedy.  In fact the play is a powerful argument against violent revenge.

 “The rarer action is in virtue than in vengeance.” 

 Prospero is the main character in ‘The Tempest’, but it is the good Gonzalo who sets the pace for the play’s spirit.  When Prospero’s brother Antonio tricked Prospero out of his Milan dukedom and banished him and his three year-old daughter Miranda to this island, it is the good Gonzalo who makes sure they are well provided for.  After Gonzalo’s fine example, the spirit of ‘The Tempest’ is kind moderation.

Thus when Prospero and his helper Ariel use magic to create a tempest that shipwrecks the vessel of the King of Naples Alonso and Prospero’s brother Antonio, they make sure no one is injured or killed.   Still there are devilish plots in the works.  Antonio and Alonso’s son Sebastian want to steal Alonso’s throne by killing Sebastian’s older brother Prince Ferdinand.   Prospero’s slave Caliban plots to kill Prospero.

Meanwhile the shipwrecked Prince Ferdinand falls immediately in love with the now almost fifteen year-old Miranda and she with him.  The play does not say whether their love is part of Prospero’s magic or just strong mutual attraction.   After only about three hours, their marriage is assured.

the-tempest-billington-007‘The Tempest’ was the last play that William Shakespeare wrote by himself.  By 1610, colonialism was well under way in England’s colonies, and ‘The Tempest’ was Shakespeare’s first and only play that addresses colonialism.

Caliban is the black slave of Prospero, and Shakespeare did not portray him in a positive light.  Caliban is described as ‘hag-born’, a ‘demi-devil’, a ‘poor credulous monster’ who ‘didst seek to violate the honour of my child (Miranda)’.  Later Caliban seeks to regain the island for himself by murdering Prospero.  Yet Caliban is eloquent in his words describing the island:

Be not afeard; the isle is full of noises,

Sounds, and sweet airs, that give delight and hurt not.

Sometimes a thousand twangling instruments
Will hum about mine ears; and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again; and then in dreaming,
The clouds methought would open, and show riches
Ready to drop upon me, that when I waked
I cried to dream again.


 In this portrayal of Caliban, the question arises if these are Shakespeare’s own opinions or the opinions of the characters he is portraying on stage.  Thus Caliban could have been seen as a monster in the eyes of Prospero but not necessarily by Shakespeare.   Of course plenty of white Christians are portrayed negatively in Shakespeare including Macbeth and Lady Macbeth, Gertrude and Claudius in Hamlet, and Antonio here in ‘The Tempest’.  Perhaps it is a form of implicit racism to never portray a black person in a negative or evil light.

‘Outline’ by Rachel Cusk

‘Outline’ by Rachel Cusk    (2014) – 249 pages   Grade: B+


After a certain age, each of our lives can be told as a collection of stories.  We may not know the full truth of all these stories, and our view of them may be limited or one-sided, but the stories together make up who we are.

There are two chapters in ‘Outline’ where our main character Faye is teaching a writing class in Athens, Greece.  She asks each of the students to tell her something that they had noticed on their way to class.  Each student has their own story some of which go on for several pages.  We get each student’s story until there is only one student left who has said nothing.  This woman says to the teacher as the class breaks up that she doesn’t know who the teacher is, but “I’ll tell you one thing, you’re a lousy teacher.”

The rest of ‘Outline’ is much like the students’ chapters with various people Faye meets up with in Greece relating their life experiences and lessons learned or not learned from them.  This is a philosophical novel and also an unconventional one.  Faye herself has not much of a story here.  She is constantly listening to other people.  This novel consists almost entirely of conversations in restaurants, on airplane flights, on boats, and in classrooms.

Perhaps the dialogue is not realistic in that usually when we talk, especially to strangers, there is a lot of back and forth.  In ‘Outline’ one person relating an incident may go on for several pages.  The conversations are like long monologues with short interruptions.

Rachel Cusk has expressed her dissatisfaction with the traditional forms of fiction before, calling them “fake and embarrassing”:

“Once you have suffered sufficiently, the idea of making up John and Jane and having them do things together seems utterly ridiculous.”

 In ‘Outline’ Cusk is attempting something new and different.  Instead of an omniscient all-knowing voice, she has the people in the novel tell their own stories through conversations. This new way of storytelling might have been disorienting except that Rachel Cusk is such a graceful and intelligent writer that it all seems quite natural.

Each sentence in ‘Outline’ feels like it was polished and crafted to achieve the maximum perceptivity and precision.  Here are two examples :

“He began to ask me questions, as though he had learned to remind himself to do so, and I wondered what or who had taught him that lesson, which many people never learn.”  

“I replied that I wasn’t sure it was possible, in marriage, to know what you actually were, or indeed to separate what you were from what you had become through the other person.” 

41orC4b88kL._SY344_BO1,204,203,200_Some readers may prefer a little less measured approach, but I found the sentences to be a strong positive making the novel a joy to read at the sentence level.  Rachel Cush has a distinctive style of writing, and I find that a huge plus for any novelist.

As I’ve mentioned before, ‘Outline’ was short-listed for the Goldsmiths Prize.  I believe that both the actual winner, ‘How to Be Both’ by Ali Smith, and ‘Outline’ would have been worthy winners.


‘The Tango Singer’ by Tomas Eloy Martinez – A Love Song to Buenos Aires

‘The Tango Singer’ by Tomas Eloy Martinez  (2004) – 243 pages    Grade: B


The biography of Argentine writer Tomas Eloy Martinez is instructive and will help us to better understand his novel ‘The Tango Singer’.  In the 1960s and early 1970s, Martinez was a prominent Argentine journalist, film critic, and editor.  However in early 1976 a military junta led by General Jorge Rafael Videla took power in a coup d’état.  The junta was a brutal military dictatorship which plotted to eliminate all leftists from Argentina.   The Secretary of the United States at the time, Henry Kissinger, gave his tacit approval to the junta’s plan to eradicate leftists that was part of a larger plan, Operation Condor, which had already replaced the democratic government of Chile with a military dictatorship.

Estimates are from 13,000 to 30,000 as to the number of political dissidents who vanished from Argentina at that time.   The junta perpetrated widespread torture, forced disappearances, and murder as part of Operation Condor.  One common procedure they used was to take leftists up in a plane over the ocean and then throw the persons out of the plane never to be seen again.

Tomas Eloy Martinez was already in trouble with the government due to his reporting, and beginning in 1975 he moved in exile to Venezuela.  Later he moved to the United States in 1984 where he wrote novels and was a distinguished professor at Rutgers University.  He died in Buenos Aires in 2010.

ARG-Buenos-Aires-Capital‘The Tango Singer’ is a paean to that city of Buenos Aires.  People who are exiled from their native land where they were born and raised frequently have a great fondness for the place to which they cannot return.  Fortunately the military junta fell apart and lost its power in 1983 after Argentina lost the Falkland War.  Martinez could have returned there after that but opportunity in the United States beckoned.

The plot of ‘The Tango Singer’ is about a transplanted Argentine now living in New York, Bruno Cadogan, returning to Buenos Aires to search for famous tango singer, Julio Martel, who has never been recorded, but who has achieved far-flung local fame.  Martel sings the old tangos which originated in the brothels and bars of Buenos Aires early in the 1900s before the tango form was tamed and popularized.   He sings in places throughout the city, but never discloses where he will perform beforehand.   He is physically weak and has health problems, and his girlfriend Alcira Vilar takes care of him. Much of the novel is taken up with Bruno’s search for Martel.

We travel to many spots in Buenos Aires, and Bruno tells us a lot of local color stories along the way.  We get much of the history of the city.  The tone is somewhat elegiac although there is also a fair amount of humor. I found ‘The Tango Singer’ somewhat episodic and anecdotal with no urgent plot to hold the reader’s interest.  Although the charm level here is high, I found the novel somewhat scattered with no real momentum. There are many references to alephs and labyrinths which are in stories written by Jorge Borges and are quite obscure to those who have not read Borges. Previously I read Martinez’ novel ‘Santa Evita’, and I found that novel more compelling.  I believe that ‘Santa Evita’ will be considered his masterpiece.

At the national Argentinian military college there is a hall which contains portraits of all the former leaders of Argentina.  In 2004, a judge ordered that General Videla’s portrait be removed from the hall.


The Goldsmiths Prize – ‘Fiction at Its Most Novel’

TJ1zaq6L_400x400First off, let me say that I am not a paid publicity hack for the Goldsmiths Prize, far from it.  I just found out about the award two days ago, and it has already been going on for two years.  However the award is so much on my wavelength, so much right up my alley so to speak, that I must write about it.

The award is sponsored by Goldsmiths University of London in association with the magazine The New Statesman.  It is limited to Irish and United Kingdom authors, and books must be published by a United Kingdom publisher.  Why would I, way out here in Minneapolis, Minnesota, care?

The slogan of the Goldsmiths Prize is ‘Fiction at its most Novel’.

Here are some words taken directly from the Goldsmiths website that describe well the purpose of the prize:

‘All great works of literature either dissolve a genre or invent one’ (Walter Benjamin)

‘I have laid a plan for something new, quite out of the beaten track’ (Laurence Sterne)

Novel, n. Something new (OED)

The Goldsmiths Prize was established in 2013 to celebrate the qualities of creative daring associated with the University and to reward fiction that breaks the mould or opens up new possibilities for the novel form.

Good or bad, I have a restless mind. I have always liked to point out that the definition of the word ‘novel’ is ‘something new’.  I don’t want the ‘same old, same old’.   I might read ‘Gulliver’s Travels’ or Jean Rhys one day, Jane Austen or Leo Tolstoy the next, and the latest critical darling the next.  I appreciate writers who are willing to attempt something new or different.

In their announcement of this year’s winner, Goldsmiths perhaps said it best:

‘How to be Both’ by Ali Smith has won the Goldsmiths Prize 2014 for boldly original fiction.

That is exactly what I want from fiction, something that is bold and original.

All this is not to say that I will always agree with the Goldsmiths choices.  I gave up in disgust on the first winner of the Goldsmiths prize, ‘A Girl is a Half Formed Thing’ by Eimear McBride, after only a few pages.  It might even be said that if a person is going to be boldly original, they are also setting themselves up for intense dislike.

I had much better luck with this year’s winner.  ‘How To Be Both’ is a book I much admire.

This year’s short list for the Goldsmiths Prize consisted of ‘How to Be Both’ by Ali Smith, ‘Outline’ by Rachel Cusk, ‘The Wake’ by Paul Kingsnorth, ‘The Absent Therapist’ by Will Eaves, ‘In the Light of What We Know’ by Zia Haider Rahman, and ‘J’ by Howard Jacobson.

Ali Smith

Ali Smith

The award is not about outlandish plots or science fiction.  It is about originality in form and/or style.  I recently read another of the short list, ‘Outline’ by Rachel Cusk, which is certainly a fresh new approach to a familiar subject.  (More about ‘Outline’ in a future article.)

I will be watching the Goldsmiths Prize in the future for good leads on fiction to read.


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