Posts Tagged ‘Ali Smith’

‘Autumn’ by Ali Smith – Not the Post-Brexit Novel

‘Autumn’ by Ali Smith   (2016)  –  260 pages

 

‘Autumn’ has been called the first Post-Brexit novel, and there are a few bits about the anti-refugee hysteria that has taken over England, but it is not the Post-Brexit novel.

“Rule Britannia, a bunch of thugs had been sing-shouting in the street at the weekend past Elisabeth’s flat.  Britannia rules the waves.  First we’ll get the Poles.  And then we’ll get the Muslims.  Then we’ll get the gyppos, then the gays.  You lot are on the run, and we’re coming after you, a right-wing spokesman shouted at a female MP on a panel on Radio 4 earlier that same Saturday.  The chairman of the panel didn’t berate, or comment on, or even acknowledge the threat the man had just made.  Instead he gave the last word to the Tory MP on the panel, who used what was the final thirty seconds of the programme to talk about the real and disturbing cause for concern – not the blatant threat that was just made on the air by one person to another – of immigration.” 

9780241207017These lines echo the spiteful Trump phenomenon in the United States as well as apply to Brexit.  However a few good lines scattered through ‘Autumn’ do not a Post-Brexit novel make.  We must wait for a novel that more intensely deals with the Right-Wing racial hatred and viciousness sweeping across both England and the United States now.

In many ways ‘Autumn’ is similar to Smith’s previous novel ‘How to Be Both’.  Both concern a young girl/woman and an old, old man.  In ‘Autumn’ the girl/woman is Elisabeth Demand, now a 32 year-old university contract lecturer, and the old man, as opposed to a 15th century Renaissance artist, is now 101 year-old Daniel Gluck, a former neighbor who is on his death bed.  There is a profound innocence between the old man Daniel and the young Elisabeth.

For me, ‘Autumn’ is just not as sharply written as ‘How To Be Both’.  It has some of the same themes as ‘How To Be Both’, but these themes do not cohere so well.  The story is more scattered and less clever and engaging.

One particular quality which I do like a lot in the fiction of Ali Smith is how she can make a facet of art history come alive.  In ‘How To Be Both’, it was the life and times of Renaissance painter Francesco del Cossa.  In ‘Autumn’, the artist who Smith spotlights is 1960s English pop artist Pauline Boty.  Like so many stories, Boty’s story is exquisitely sad only to emerge triumphant in the end.

And I’ve got some final advice for the British people.  Don’t sound too vicious or stupid in your racist rants or you will wind up sounding like Donald Trump.

 

Grade:    B

 

Advertisements

‘How To Be Both’ by Ali Smith

‘How To Be Both’ by Ali Smith  (2014) – 372 pages   Grade: A

Smith-203x300

‘How To Be Both’ is a novel that is divided into two equal parts.  One part follows the Italian Renaissance painter Francesco del Cossa.  The other part is about a 16 year old girl living in modern England named George who hates the song ‘Georgy Girl’ for which she was named (How many English girls got stuck with that name?).  Somehow Ali Smith has fit their two stories into this one playful novel.

George’s 52 year old mother has died recently.

“This will be the first year her mother hasn’t been alive since the year her mother was born.  That is so obvious that it is stupid even to think it and yet so terrible that you can not think of it.”  

George’s mother is (was?) what I would call an art subversive.   She subverted the political world with art and the artistic world with politics.  But now she is gone, and George and her little brother Henry are hurting.  Their father is drinking too much, and the children are mainly left to themselves.

Before she died George’s mother took them on a trip to Ferarra, Italy to see the frescoes of Francesco del Cossa in the Palazzo Schifanoia.  On the walls of the palace are painted allegories for each month of the year.  Cossa painted the Allegories for March, April, and May which are considered the finest in the palace as lesser painters did the other months.

As you can see from the picture of the Allegory of April below, Cossa’s frescos are teeming with life which is something that also could be said of ‘How To Be Both’.

1024px-Aprile,_francesco_del_cossa,_11

So the ‘George’ part of the novel is about this teenage girl trying to cope with her mother’s death, but it would be a mistake to say that it is sad.  We flash back to conversations when George’s mother was still alive which are warm and funny and filled with clever word play.

So how does Renaissance painter Francesco del Cossa become a character in this modern novel?  His picture of the Saint Vincent Ferrer is in the National Gallery in London.  Remembering her trip to Ferrara, George goes to see this picture.  Cossa, still in Purgatorium, is hovering over the picture and sees this sad boy.   At first he doesn’t realize that George is a girl.  But Francesco is actually a girl herself.  Her father disguised her as a boy in order for her to pursue a painting career.  There is no mention of this in any of the history books; this is most certainly another riotous whim of Ali Smith.

Francesco del Cossa tells his (her?) life story which in Ali Smith’s hands is wicked and bawdy and filled with sexual confusions.

In this funny novel Ali Smith has pretty much undermined our preconceived ideas of what a novel is supposed to be just as she is constantly undermining our notions of sexual identity. I found reading ‘How To Be Both’ to be a joyous anarchic experience.  This is a novel for anyone who is getting kind of tired of the straightforward and traditional.

 

%d bloggers like this: